ASEAN 2017

 

 

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I has been almost half a year since this happened. I have been that absent from my blog. Oops. Blame Instagram.

Back in January, I got a call from an agency handling the launch of ASEAN in Malacanang Palace. They asked me if I could host the event. It would be attended by the President, his cabinet, the diplomatic corps, and the business community. 2017 is a big year for ASEAN, being its 50th anniversary, and it is hosted by the Philippines. Needless to say, I was honoured and thrilled to have been invited as the emcee.

Here are photos and screenshots from the event. And because a lot of people asked in Facebook and Instagram, I will highlight my fashion choices. I do not work with stylists for the simple reason that I enjoy dressing myself and making these creative decisions myself.

 

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Me in my long white dress and golden south sea pearls, at the launch of ASEAN 2017 in Malacanang Palace.

 

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Fitting my dress in Religioso.

I was asked to wear a long white dress but not a gown. They wanted sleeves that went down to my elbows. It was a challenge because I only had a week to plan my outfit and have it approved by the client (i.e. Malacanang). I scoured the malls to see if there is anything off the rack that I could wear. There was nothing. I remembered loving the black knee length dress that was worn by Valerie Trierweiler when she was the First Lady of former president of France, Francois Hollande. (Valerie was our guest a year before that. She was a patron of the organization my daughter Sophia was a part of. We met each other in France, then in Manila.)

Religioso came to my rescue by offering to make a version of Valerie’s dress for me. We used white silk crepe. I had to make sure the skirt fell like a column and that it barely skimmed the carpet when I’d wear my black pumps.

I wanted to stick to the classics, so I was sure I’d wear a strand of my own Jewelmer south sea pearls — either in white or gold. I actually brought both with me. But when I put on the golden strand, the decision had been instantly made. Aside from my stud earrings and single strand of pearls, I kept everything else bare.

 

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Screen shot from the Presidential Communications page in Facebook.

 

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My script was simple and straightforward. But I find that the simpler things are, the more nervous I get of mucking things up. You never ever, under any circumstance, want to mess up the president’s name. Ever. So I practiced that in my mind over and over. (Side story, the initial script said “His Excellency…” as heads of states should be announced, but the presidential staff edited it and kept it simple this way. Apparently President Duterte prefers it this way. In fact, the Executive Secretary Salvador Medialdea introduced him as “the President of the Republic of the Philippines, Mayor Rodrigo Roa Duterte.” Interesting.

 

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The Rizal Ceremonial Hall, Malacanang.

 

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In my script, I had to announce that taking selfies with the President was strongly discouraged.

 

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Loved the wooden quatrefoil panels by the window facing the Pasig River. Incidentally, the President arrived at Malacanang by boat from across the river. He doesn’t actually stay in the Palace building.

 

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President Duterte and cabinet secretaries Medialdea and Lopez, listening to my cue.

 

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I announced the ceremonial launch of ASEAN while the President’s hand was on the sphere.

 

 

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Ceremonial launch of ASEAN via this “hand scanning” sphere.

 

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So because I follow protocol, I didn’t dare ask the President for a selfie. The guests though… made a beeline to him after the formalities.

 

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At Heroes’ Hall

 

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Back to my styling, I asked for big hair and a chignon. Big, worthy of Malacañang. So hairstylist Ronel Ros gave me this pouffy top and worked with my hair extensions, braided and bunched up like a chignon. My hair was just chin length then. I remembered I had a fake ponytail from my TV days. I actually had never used extensions on TV, but I owned it. It has finally come in handy. My makeup was by Ria Aquino.

 

 


Posted by Presidential Communications (Government of the Philippines) on Monday, January 23, 2017.

 

 

Philippine Readers and Writers Festival

 

 

Poster - PRWF 2016

 

From our partners, National Book Store:

Previously known as The Philippines Literary Festival, National Book Store and Raffles Makati now present  The Philippines Readers and Writers Festival 2016 featuring Pulitzer award winning author Adam Johnson and New York Times bestselling authors Paula McLain and Anna Todd from August 26 to 28, 2016 at the Raffles Makati. Admission is free for all events.

 

Photo - Adam Johnson (credit to Tamara Beckwith)
Adam Johnson (credit to Tamara Beckwith)

 

Adam Johnson is the author of ‘The Orphan Master’s Son” which won the Pulitzer Prize and the Dayton Literary Peace Prize, was a finalist for the National Book Critics Circle Award, and named as one of the best books of the year by more than a dozen publications. ‘The Orphan Master’s Son” follows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea. His other works include the short story collection ‘Fortune Smiles: Stories’. The Author Spotlight event on Adam Johnson will be on August 27 at 4 p.m.

 

The Orphan Master's Son

 

Photo - Paula McLain (credit to Nina Subin)
Paula McLain (photo credit: Nina Subin)

 

Paula McLain is the author of the novels ‘The Paris Wife’, ‘Circling the Sun’, ‘A Ticket to Ride’. She has received fellowships from Yaddo, the MacDowell Colony, and the National Endowment for the Arts. Her phenomenally bestselling novel ‘The Paris Wife’ was named one of the best books of the year several publications including People magazine, Chicago Tribune, and Kirkus Reviews among others. It is a deeply evocative story that captures Paris in the twenties and an extraordinary love affair between two unforgettable people—Ernest Hemingway and his wife Hadley. The Author Spotlight event on Paula McLain will be on August 27 at 1 p.m.

 

The Paris Wife

 

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Anna Todd

 

Anna Todd is the author of the Wattpad sensation and bestselling ‘After’ series that includes ‘After’, ‘After We Collided’, ‘After We Fell’, ‘After Ever Happy’, and ‘Before’. ‘After’ series has started out as the most talked about story online with over 1 billion reads on Wattpad. It follows the story of Tessa Young, an optimistic freshman at Washington State University, and the dark, troubled guy who has stolen her heart—Hardin. The Author Spotlight event on Anna Todd will be on August 28 at 2 p.m.

 

After

Readers can attend three days of book signings, discussions, and panels about books, literature, and culture from top Filipino writers and artists. Join Ambeth Ocampo, Nick Deocampo, Jose Dalisay Jr., Danton Remoto, Sarge Lacuesta, Krip Yuson, Dean Francis Alfar, Cristina Pantoja-Hidalgo, AA Patawaran, Kate Evangelista, Pam Pastor, Juan Miguel Severo, Alex Gonzaga, and many more for talks and book signings.

The events are made possible in partnership with Adarna House Publishing, ABS-CBN Publishing, Anvil Publishing, Ateneo De Manila University Press, CNN Life, Rogue, Summit Books, Tahanan Books, Team Magazine, The University of the Philippines Press, University of Santo Tomas Publishing House, VRJ Books, Visprint, Inc., Young Blood, and Young Star.

All events will be held at the Raffles Makati with registration starting at 8:30 a.m. everyday. Admission is free.  Only books purchased at National Book Store, National Book Store Express, and Powerbooks will be accommodated for the signing. Books by the authors will be available on site during the event. Sign up for updates and view the complete schedule at philippinereadersandwritersfestival.com.  Follow National Book Store on Facebook, Twitter and Instagram (@nbsalert). Tag #GoReadWrite2016 to join the discussion.

 

 

Crepusculo at Antonio’s Tagaytay

 

 

Antonios

 

It has been a while since Patrick and I went out on a Friday night, let a lone a Friday night in Tagaytay. But if there is one person who can drag me all the way there, it would be Tonyboy Escalante, chef and owner of Antonio’s. Tonyboy and his wife Agnes have been our friends since they were just starting to plan Antonio’s. We met through artist Popo San Pascual and Tita Sonya Garcia of Sonya’s Garden many years ago, when Patrick and I were just planning our wedding. Popo did the flowers in my wedding and his mom was my caterer. Tonyboy would tell me stories about his plans for his place. Of course since then Tita Sonya and Tonyboy have grown both their little cottages into restaurant empires and respected brands.

Last Friday May 27th, Tonyboy celebrated his birthday at Antonio’s Tagaytay in collaboration with Hennessy and Porsche. In attendance were his close friends from his hometown in Bacolod, Manila, and Tagaytay. It was like a reunion of sorts for us, the Tagaytay-Alfonso people. Yes, one day I will live there too. I hope.

Happy birthday, Chef Tonyboy! We are so proud of all you have achieved. Thank you for your friendship and generous spirit. More blessings to you and Agnes!

 

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Raclette station

 

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Raclette with french fries, marbled potato, gerkins, cocktail onions, chili flakes and paprika

 

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A staple at any Antonio’s event – Steak Tartare

 

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Beef Skewers

 

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Oyster station

 

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Prawn skewers spiced with lemongrass

 

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Burger Sandwiches with bbq sauce and caramelized onions

 

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Arugula lemon drop

 

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Manolet Escudero, Agnes Escalante, Baba Escudero, and Paul Henares

 

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Isabel Lozano, Eric Diaz, Tonyboy, Jinggoy Buensuceso, Wataru Sakuma, and friends.

 

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Popo San Pascual, Tonyboy, Tita Sonya

 

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Louie Ysmael, Claudine Trillo, Ian Dy

 

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Patrick and I with Tita Sonya

 

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Steve Mago and Pia Guanio

 

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Edu Manzano, me, Tonyboy, Maui Obrero, Timmy Obrero, Jun Obrero

 

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With Franco Tommasi of Villa Girardi wines

 

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Agnes Hechanova Escalante and Mitchie Yulo

 

For more info on Antonio’s visit www.antoniosrestaurant.ph

 

 

Andrea Bocelli

 

 

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A couple of weeks have passed since Andrea Bocelli’s concert in Manila and I am still listening to his double CD-DVD album Cinema while working. It was a magical night at the Mall of Asia Arena last April 26 where for once in a very long time, I enjoyed a concert without the glow of LED lights from cellphones and cameras blinding my eyes. Video and photos were not allowed. Just as well, I got to relish Bocelli’s every last note with his voice so clean and crisp. For a good two hours, the entire arena was silenced and focused on the voice of the 57-year old tenor, Andrea Bocelli. He was accompanied by the ABS-CBN Philharmonic Orchestra and Ateneo Chamber Orchestra conducted by Carlo Bernini.

The concert was divided into two parts. The first was composed of Italian arias, with “La Dona e Mobile” from Rigoletto being the most well-known song in the set. In the 12 years since I last saw him perform in Manila, Bocelli appeared older now but very distinguished with his silver hair and lean physique. His duet with soprano Maria Katzarava of Verdi’s Libiamo ne` lieti calici was a delight.

 

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The second set focused on his current album, Cinema, which features Oscar-winning scores from movies like Doctor Zhivago, Breakfast at Tiffany’s, Evita, Cinema Paradiso and more. The second part opened with a more familiar “Maria” from “West Side Story”. I loved seeing movie clips from The Godfather as Bocelli sang “Brucia la terra”. I was so taken by Italian flutist Andrea Griminelli’s rendition of “Gabriel’s oboe” from “The Mission”. A big surprise was the evening’s pop guest, Christine Allado, a Filipina performer in London’s West End. She won the audience’s heart with that cute duet “Cheek to Cheek” with Bocelli which they finished off with an actual cheek to cheek gesture. The “Canto della terra” duet with Allado was very powerful that even Bocelli seemed overwhelmed, he literally swept Allado off her feet.

I sat through the performances with that silly look with a half-smile and my eyes nearly tearing up. That’s how I felt while watching him – happy and in love. I was taken away from the realities of life — no negativity from Facebook, no election-related talk, no deadlines, just beautiful music . As wonderful as those two hours were, I couldn’t wait for the concert to end because I knew I was going to meet Andrea Bocelli backstage.

 

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With Ricky Ilacad (CEO, MCA MUSIC), MJ Juco (Strategic Marketing Manager, MCA MUSIC), and Archie Gormley (Director for Strategic Marketing in Asia, Universal Music Group).

 

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My date.

 

My invitation to meet Mr Bocelli came from MCA Music’s MJ Juco. She told me I would be given some time to meet him either before or after the concert. She also facilitated my interview with Mr Bocelli. As for my husband and my tickets in the Lower Box, we bought them regular priced online.

After the show, I was whisked backstage. I waited outside Mr Bocelli’s dressing room while the MCA Music execs presented him with a combined 10X PLATINUM AWARD. This was in recognition for the outstanding sales performance of his brand new album “Cinema” and various catalogues, selling over 150,000 units in physical and digital formats in the Philippines.

After the record company did their plaque presentation, I entered the dressing room by myself. I expected an empty ante-room or reception lounge before seeing Mr Bocelli but when the door opened, he was actually standing a few metres away. I was very surprised. I just wanted to keep my eyes on him. I was greeted by a very beautiful and friendly woman, Veronica Berti, Bocelli’s wife and manager. She introduced me to Mr Bocelli and asked me about my blog, daphne.ph. Then she led me to my position beside Mr Bocelli while the official photographer took the shots. It happened quite fast. And it may have been a language issue, but no one told me it was over. So I said, “Thank you.” And Veronica asked me if I liked the concert, to which I answered in superlatives. Mr Bocelli smiled. I looked into his eyes, knowing he couldn’t see me and thanked him for touching my soul.

 

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Here is my interview with Andrea Bocelli —

 

Your new album “CINEMA” features a collection of songs from some of the greatest movies. What is your favorite movie/story? Why?

In my youth, I was very fond of musicals with Frank Sinatra. As a child, I was fascinated by the heroes that my parents liked, for instance, the couple Fred Astaire and Ginger Rogers. Although for a long time, I happened to listen, appreciate and sing some songs, without even knowing that they were taken from famous films. As I have already had the opportunity to point out, if movies are a ‘dream factory’, the music that supports them often keeps and concentrates in itself all their magic and sentimental vitality. I am really pleased I have achieved this musical project that I have had in my heart for many years: finally I have selected and “fixed” the songs linked to cinema that I love most, that have marked my life, that have made me grow, have moved and amused me. In this album, I have tried to concentrate the best of best.

Is there a difference between songs that are created specifically to score a movie and those that are released on its own?

I think that the scores conceived for films in many cases are a step ahead: they are potentially freer, more creative, being not necessarily subject to the schemes neither of classic songs, nor to a topic necessarily referring to love. Thus we are speaking of “utility music”, because it gives a sound to images, but it can also represent an exciting challenge for composers and turn, sometimes, into masterpieces, into songs that live independently and, that as in the pages I propose, go beyond all generational barriers, becoming real immortal classics.

The films which are represented in your album “CINEMA” are from different times and places. If you could choose a certain time and place to live in, what would it be? Why?

I must say that I am pleased with the historical period I am living, and I am particularly happy I was born in Italy. Anyway playing along with the question, I must say that I am particularly fascinated by the extraordinary period featuring the last decade of the nineteenth century, when Giuseppe Verdi was still alive, and Puccini was writing his first masterpieces along with his fellow composers like Pietro Mascagni and Umberto Giordano.

What goes through your mind when you are singing?

I try to be concentrated, to live fully what I am proposing, in order to succeed in making the listener share the great emotions that every repertoire, when valuable, can convey. When I sing, I always try to have a direct relation with each individual listener, hoping to convey positive emotions. In fact, when I am on stage, my desire, my goal is to be able to enter the hearts of those who are listening.

What are your pre-performance rituals?

Before a show, I have no good luck rituals, nor superstitious routines, and I do not pursue any particular escamotage to maintain self-control. I try to spend my time in isolation, trying to maintain the maximum concentration, and I observe when possible, strict silence in the twenty four hours preceding the concert. No need to say how happy I am, when I have the possibility to have next to me my wife first, in the dressing room and then with the audience (something that happens almost always, because Veronica, besides being the woman of my life, also takes care of my management) and my beloved children. A few hours before the show, I have to provide for my body a sufficient amount of energy necessary for the effort on stage such as proteins, sugar, but also carbohydrates (I prefer rice with oil). A bottle of mineral water must always be at hand.

 

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I was at your last concert in Manila about 12 years ago and the experience of hearing and watching you live is forever etched in my memory and heart. What were your fondest memories about that trip to the Philippines?

I have fond memories of my first trip to the Philippines. It was a very intense and positive experience. The warmth of the Filipino audience really struck me and I received moving demonstrations of love. This is one more reason to be excited at the idea to be back in Manila again, trying to give my best on stage.

Your philanthropic efforts (focusing on poverty alleviation, disability and social exclusion) are so noteworthy and noble. What role do you see art and music playing in making a difference in our current world?

Let me say, first of all, that at the base of the creation of the foundation bearing my name, there is this consideration: Life is like a great banquet where we are all well if there is a bare minimum for everyone. But if, for whatever reason, there is someone who is not well, the banquet will fail. For this reason, I am convinced that solidarity is not only a moral duty, but an act of intelligence. I believe that goodness is the only viable path for the whole of humanity. As for art, I think that it can educate us to beauty; it can open our hearts and minds. Music is the voice of the soul, it moves on paths that penetrate the most intimate spheres of our psyche, without being affected by any conditioning. I think that good music carries a strong message of peace and brotherhood.

Very often, I mention in this regard, Cato Uticensis a politician and intellectual of Ancient Rome, who suggested the rulers of the time to prevent soldiers from listening to music, because in his opinion this art was likely to soften their mood, thus making the warriors unable to fight! Artists, I believe, should be fully aware of the great importance they play in society because art and culture improves the development and peace in the world.

 

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Read my Inquirer article here.

 

Series 7 Project Manila

 

 

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I hosted the launch of the exhibit of Fritz Hansen’s collaboration with esteemed Filipino architects and designers at Studio Dimensione at BGC.

It is the 60th anniversary of the Series 7 chair by Arne Jacobsen whose collaboration with Fritz Hansen dates back to 1934. The Series 7™ was designed in 1955 and is by far the most sold chair in the history of Fritz Hansen and perhaps also in furniture history. It is made of pressure moulded veneer with four stackable legs.

Each of the Filipino architects and designers were given the task to re-interpret the timeless and classic Series 7 Chair by Arne Jacobsen. It was a celebration, of not just the chair, but also of the local Filipino architecture and design ingenuity. It is taking a design made way back in 1950s and showing how it is still relevant to us. The classic silhouette of the Series 7 transcends time and space.

 

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From left to right, Dean Yupangco, Ed Calma, Carlo Calma, Andy Locsin of Leandro V. Locsin Partners, Fritz Hansen’s Dario Reichl, Ben Chan, Gil Coscolluela, and Bong Recio.

 

 

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I hosted the official opening of the exhibit which will run until March 31st at Studio Dimensione. (I wore a K&Company dress.)

 

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Dario Reicherl, VP for Asia Pacific for Fritz Hansen, gave a brief talk about the history and relevance of the Series 7 chair.

 

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Gil Coscoluella wrapped the Series 7 in purple calfskin leather.

 

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Ed Calma kept the Series 7 form but added different colours and layers of wood veneer.

 

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Architect Juan Carlo Calma worked with three Series 7 chairs, superimposing them creating layers that represented a grotto.

 

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Andy Locsin of Leandro V Locsin Partners paid homage not just to Arne Jacobsen, but to his own father Leandro V. Locsin, by creating a mold of the Series 7 in poured concrete.

 

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I asked Andy if I could sit on the chair.

 

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Dean Joey Yupangco dressed up Series 7 in “leggings”.

 

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Bong Recio worked on a fusion of the Series 7 and the Filipino “batibot” chair.

 

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Suyen Corp’s Miguel Pastor and Nenita Lim.

 

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With fashion designer Joey Samson.

 

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The event was followed by a lovely dinner at Blackbird Restaurant.

 

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Seated, Lucy Torres Gomez, Ben Chan, Bong Recio. Standing, Robert Mananquil, Carlo Calma, Millet Mananquil and Dario Reicherl.

 

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With Dario.

 

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With old friend Keren Pascual and the Mananquils.

 

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Barbie and John Rey Tiangco.

 

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Suyen Corporations’ Noel Manapat and Keren Pascual.

 

The Series 7 Project Manila exhibit runs til March 31, 2016 at Republic of Fritz Hansen in Studio Dimensione, One Parkade, BGC. Photos by Miguel Pastor.

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