Meralco Orange Tag

 

 

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My kitchen, renovated in 2013

 

When I was a kid, I never understood why my mother was always so conscious of us closing the door whenever the air conditioner was on or shutting off lights in rooms we were not using. I knew it was about energy conservation. But when you’re not the one paying the bills, it remains an abstract concept.

The past couple of years, I had gotten way more conscious of our energy consumption, most especially during the exaggeratedly hot summer months. Try being in Manila in April and May. You will melt without the air conditioner on. It’s almost a given that the chart of our electricity bill peaks during summer months. And needless to say, I have turned into my mother.

I have learned some tips along the way, especially when I renovated my kitchen a couple of years ago. All my new appliances were energy efficient (digital inverter types). We also use our washing machine and dryer during off peak times – like weeknights as opposed to daytime or weekends.

 

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I have an all-gas range and electric stove. My refrigerator is inverter type.

 

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My kitchen air conditioner also uses digital inverter technology.

 

But now, there are even more tools that can help you figure out the energy consumption of a certain new home appliance. And this is done not by the appliance brand, but by our own local electric company — Meralco. Very timely as I’m sure a lot of families are shopping for new electrical appliances this time of year — because of Christmas bonuses and homecoming of family members from abroad.

So before you go out there to shop for that new air con, fridge or washing machine, or small kitchen gadgets, look for the Meralco Orange Tag — brought to us by the Meralco Power Lab. In one look you already know the estimated operating cost of the new appliance. And you can make better decisions based on this information.

 

Cute commercial…

 

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Now you can compare appliances not just based on design and performance, but by energy consumption levels. Look at the numbers! That’s cost per wash.

 

image5You won’t miss the Meralco Orange Tag. It’s big and orange!!

 

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The Meralco Orange Tag shows the estimated cost consumption, estimated energy consumption and rate used, and transparency in computation.

 

It’s a great way to get the whole family involved in energy consumption consciousness.

 

 

Chairs update

 

 

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Me and the DAPHNE® chair, by my front door.

 

I’ve been meaning to write an update about the “Iloilo-APEC-chairs” issue last Thursday. But I’m never good with immediate reactions. So I slept on it and let a few days pass. Now there are no more emotions.

Last Thursday morning I posted this blog on “familiar-looking chairs” being displayed and sold at the Yusay Consing Mansion in Iloilo City. The story was carried by Coconuts Manila as well.

A quick recap –

 

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A reader sent me photos of the Yusay Consing Mansion (Molo Mansion), where these “familiar looking chairs” were on display.

 

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The Yusay Consing Mansion was set up with Ilonggo-made products on display and for sale. The logo of APEC appears prominently in the front lawn. Photo by John Rou, as it appears in Iloilo City Government Facebook.

 

On Iloilo City’s preparations for APEC —

Lawyer Helen Catalbas, director of the Department of Tourism (DOT) office in Western Visayas, said the tours would highlight century-old mansions and restored buildings, Iloilo churches, and local delicacies.

Another popular attraction of the tour is Casa Grande, a mansion built in the 1920s at Molo District that once was owned by the Yusay-Consing family. The house is right across Molo Church, also a popular sight for its Gothic-Renaissance architecture.

Casa Grande had been acquired and renovated by the SM Group, and was opened to the public on Sept. 17 in time for the Apec meetings. The mansion, which showcases Ilonggo products and other native wares, has since drawn hundreds of visitors daily.

Source Inquirer September 25, 2015

 

Two hours after I posted the story, I got a text from Stevan Tan, SVP of SM Supermalls. “It has reached my office – about the issue of an Iloilo furniture maker who copied your chair and showcased it in our Molo Mansion in Iloilo. We immediately called the attention of the exhibitor and had it pulled out already.”

 

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This is what the Molo Mansion looked like after the chairs were pulled off from the selling floor.

 

For sale....

This is the Iloilo-based furniture maker involved in this story. This photo was taken just last week at the Molo Mansion.

 

Beware of FAKE Daphne Chairs. My authentic chairs have a brass plate with my registered trademark. And the back doesnt look like that. Also that carving & paint finish are not at par with our standards. #DaphneFurniture is sold only in Dimensione shops.
In January 2014 I posted this on my Instagram. A friend of mine found these chairs in Iloilo City. Back then I was still actively selling DAPHNE® chairs in Dimensione. I had warned readers about these alleged poor imitations.

 

Since this story came out, I heard from lawyers, students, readers, and Ilonggo people who were disturbed by what had been done. One of them told me that those chairs were actually on display in the University of San Agustin. The owner of the furniture factory’s daughter had recently graduated from interior design class. And their son just got his architecture license.

I am touched by the expression of support from many readers and viewers, especially from my fellow Ilonggos. The silver lining is that I actually heard from people who were able to trace our common roots. Not only am I half-Ilonggo, I also gave one year of my adult life to help Iloilo and Guimaras in nation-building after I graduated from university in Canada. I was sent to the Philippines by Canada, specifically to that region, to manage an urban planning program funded by my Canadian government. (My first return to the Philippines was via Iloilo).

I was moved by this photo from a long-time reader. She is a Filipino working abroad. I remember she emailed us about purchasing this DAPHNE chair for her daughter. She wanted to give it to her daughter as a surprise. She couldn’t come home that Christmas. And if I recall, we had arranged the delivery of the chair to her home.

 

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My reader, a Filipino working abroad, reminded me that no kind of imitation can replace the value of something that is truly from the heart.

 

 

Those chairs look familiar

 

 

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Last November 2014, I had the great honour of hosting the official launch of APEC 2015 in the Philippines. It was attended by the country’s top business, economic and government leaders. No less than the President of the Philippines himself, President Benigno Aquino III was there to speak. It promised to be an exciting year with high-profile activities across the country. We are even getting a long vacation because of it next month.

This blog post isn’t really about APEC. It’s about chairs and integrity.

A reader of mine sent me these photos taken at the Yusay Consing Mansion in Iloilo City. It is a “heritage home” built in the 1920s and is currently being used as the site of three high-profile events for APEC dignitaries.

 

The Yusay Consing Mansion in Iloilo City is the site of the "one-stop shop" for APEC 2015. This is where the DAPHNE-inspired chairs are being displayed and sold.

The Yusay Consing Mansion in Iloilo City is the site of the “one-stop shop” for APEC 2015.

 

According to Iloilo City’s Facebook account, The Yusay-Consing mansion has been transformed into a heritage museum, where Ilonggo products are “proudly” displayed and sold. It is also now known as Molo Mansion. Here are the reader’s photos of the Yusay Consing Mansion displays and museum shop.

Please tell me what you see in these next three photos.

Inside the Yusay Consing Mansion, chairs that bear an almost exact resemblance to my chairs are being displayed.

Inside the Yusay Consing Mansion… those chairs look familiar.

 

The copies.

Those chairs look familiar.

 

For sale....

The price of one “accent chair”

 

Let me re-introduce the chairs from my own brand.

The DAPHNE® chairs were conceived in 2009. It was part of an overall wish, that one day there would be high-quality products sold under my brand. I set up DAPHNE as a registered trademark years before, upon the advise of my lawyer friend. Once we were set up, things worked out well and fast. I had products developed in partnership with top retailers and manufacturers. Our luxury linen was sold in SM and Our Home. Then came DAPHNE Furniture® which debuted in Rustan’s Makati and was later moved to all the big branches of Dimensione. Then DAPHNE® Home Scents for BENCH. And Currently, I have DAPHNE and National Book Store stationery. For all these products, there was a supporting team of designers, technical specialists and business partners who helped me design, set up, source, manufacture, market, and retail them. It wasn’t easy. It took time, money and talent.

The DAPHNE chairs were received well by the media and the public. They were cute. But more importantly, they were very well-made. Our partner manufacturer is one of the country’s top furniture makers, licensed for export and all that. The paint, distressing process, type of wood, hand carving process were all top-quality.

When my brand and blog were featured in Vogue Italia, the author asked me about the chairs. You may read about it here. You may also view the many times I’ve written about my chair in my blog.

Last year, my partners and I decided to put the furniture line to rest. We stopped making the DAPHNE chairs. I felt that the chairs had a good enough run. And it was time to move on. I had planned on developing new products.

So for now, there are no longer any real/original DAPHNE chairs being sold. I may bring it back one day… after all, it is very special to me and my brand.

 

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In 2010, in my own home. One of the prototypes of DAPHNE chairs and my youngest daughter.

 

"How did you do that Mom?" -Lily,5 upon seeing the Daphne Chairs at Dimensione
In 2012, I moved the DAPHNE chairs from Rustan’s to Dimensione. This coincided with the launch of my DAPHNE® homescents for Bench. Here is little Lily in the shop’s window.

 

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With the move to Dimensione, we came out with bolder colours. Still the same form.

 

My chair. I use its image in the packaging and on my website. This particular image was drawn by Isabel Gatuslao, who designed this website.
I use the image of the chair on my website’s dashboard. It has become this iconic thing. This particular image was drawn by Isabel Gatuslao, who designed this website.

 

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At UNICEF’s Auction for Action, which I founded and hosted for three years, I donated two DAPHNE® chairs. Here it is, displayed at the Yuchengco Museum.

 

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Early on, one of my readers, a baker, got inspired by the chairs. She used them as cupcake toppers and sent me this photo.

 

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Another baker in Ilocos Norte gave me this cupcake with an intricately handcrafted fondant replica of my chair. It was done to scale. I kept this, as is. Though my friend, Eliza, accidentally sat on it. haha. So the leg is broken.

 

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Original DAPHNE® chairs started to be used at Vanilla Cupcake bakery a few years ago. .

 

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The DAPHNE chairs were also sold in HEIMA for a limited time.

 

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At a trade show in 2012 where I was able to put all my products together in one setting. Months later, I launched DAPHNE Home Scents by Bench. And early this year I launched DAPHNE & National Book Store stationery.

 

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Featured in Lucy Torres-Gomez’s old TV show, Leading Ladies, in Lifestyle Network.

 

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The chairs are so special to me, I use it as my Twitter profile pic.

 

The APEC ministerial meetings have been ongoing in Iloilo City since September 22nd. The are “familiar-looking chairs” are being shown and sold as we speak. I don’t know what can be done now.

I’m just sad that there is no respect for intellectual property!

My heart is broken.

 

 

Neri & Hu

 

 

 

I first met Lyndon Neri in mid-2014 in Cebu. We had both been invited by the Cebu Chamber of Commerce to participate in their Design Week celebration and Salon Talks. Lyndon spoke about his work as an architect, Professor Dan Boyarski of Carnegie Mellon spoke about design, and I moderated the discussions.

Lyndon is one half of the extremely talented and celebrated Shanghai-based architectural firm Neri & Hu, together with his wife Rossana Hu. Born in the Philippines, educated in the United States, and now living and working out of China, Lyndon considers himself a citizen of the world. He is of Chinese ethnicity and his family’s roots are in Cebu, where his parents still reside. He was actually born in Ozamis.

Lyndon received his Master of Architecture at Harvard University and his Bachelor of Architecture at UC Berkeley. Rossana received her Master of Architecture and Urban Planning at Princeton University and her Bachelor of Arts in Architecture at UC Berkeley. They are also designing products for brands including BD Barcelona Design, Classicon, Gandia Blasco, JIA, LEMA, Meritalia, MOOOI, Parachilna, Stellar Works, and neri&hu.

 


At Maison et Objet Asia 2015, Lyndon Neri and Rossana Hu were one of the keynote speakers and were awarded 2015 Designer of the Year.

 


Lyndon and Rossana talked about their work as architect and designers based in Shanghai. They draw inspiration from everyday life on the streets of Shanghai, “We like to stroll, observe and examine objects, furniture and buildings. We are sensitive to the crossing of different design disciplines.”

 


Our paths crossed again this year at Maison et Objet Asia in Singapore last March. Neri & Hu Design and Research Office was awarded 2015 Designer of the Year. “In our quest for the Maison&Objet Asia Designer of the Year, we seek out designers who represent the essence of Asian culture, Asian roots and with an international approach to their works. Lyndon Neri and Rossana Hu have distinguished themselves through their work and also with numerous international accolades. They exemplify the very qualities we seek,” said Mr Philippe Brocart, Managing Director, Maison&Objet.

 

Here is my conversation with Lyndon and Rossana of Neri & Hu. We talked about restoring buildings, being an Asian designer, working with your spouse, having Filipino roots, and Lyndon’s deep sense of spirituality.

DAPHNE: Congratulations on winning Designer of the Year. How significant is that to you both?

LYNDON NERI: I think all awards, no matter where it’s coming from is definitely an honour. It’s a humbling experience. We didn’t expect it. Some people thought that maybe we would have predicted this given that we were inducted into the hall of fame and that we won the Wallpaper Designer of the Year, but to be honest with you Rossana and I never really look into all the award categories and say, “This year, I think we’re going to win this or not,” I think we spend a lot of time focusing on our projects. So it was a pleasant surprise, but more importantly definitely a humbling experience for the two of us.

 

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The ZISHA tea project “We removed the traditional dragons and snakes from the Chinese teacup to magnify its original natural material: purple clay from the Jiangsu Province.”

 

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The MING COLLECTION and UTILITY COLLECTION for Stellar Works. The Ming Chair is a play around the iconic chair. The design was tweaked to make it stackable and painted it imperial red, whereas traditionally the wood is left dark. The Utility Collection is a combination of “old style” leather and simple metal curves. This line of chairs is an ode to the industrial boom of the 1920’s, a transitional era that saw decorative furniture take on a more utilitarian aesthetic.

 

DAPHNE: A lot of Asian designers, and I’m sure Western designers as well, look up to you as the new breed of designers. How does it feel to sort of set the standard for the new direction of design?

ROSSANA HU: We are not quite conscious of how others perceive us. In some ways we almost have to not think about it or not look at it. Like Lyndon said, it’s more important for us that each project is better than the last. And for us, focusing on the project will just be better for our own work and our own growth. What we want to spend time to nurture and focus on is just that the project will hold its own integrity. That we continue to grow as designers. Whether or not the position is good within a larger context, or how people see us, we try our best to pay back through lectures or participating in various events. Particularly there has been a lot of different mentorship that we are participating in like the Lexus Award Mentorship. So these things bring us directly in contact w a lot of young designers And that’s what we like to do.

LYNDON: I’m more stressed out whether the work we are doing now is done well. So often times some of the projects that we are doing now, some people might not understand or people might feel frustrated that we have changed direction. But I think we have to be true to ourselves. If we are trying to do things to please the general public or a particular group or set of designers or set of media thinkers, then if we are not true to ourselves, then eventually it would not be significant.

 


JIAN collection for Gandia Blasco. This hybrid collection of outdoor furniture was inspired by the Chinese character Jian, meaning “in between”. This poetic living space seems to float between time and space.

 


The Camper Showroom, Shanghai. “Drawing inspiration from the surrounding urban condition, the Camper Showroom / Office in Shanghai recalls both the spatial qualities and the vibrant activities characteristic of life in a typical Shanghai alleyway, called a “nong-tang.” The exterior lane extends into the showroom creating a physical sectional cut of the new house and a gathering space used for presentations and talks.” Source: Neri & Hu website

 

DAPHNE: Lyndon, you were born in the Philippines. How Filipino are you?

LYNDON: That’s a very good question. I was born in Ozamis. Then I left when I was five years old for Cebu. For my first 15 years, I was practically a Cebuano. I speak the dialect and I went to a Chinese school. So within that context…. That’s a very good question. When I went to America, after many years, some people ask, “How American are you?” Then we went to China, after 10 years, I’m very much Chinese, obviously, and they ask, “How Chinese are you?” So there’s really no sense of home for me, as much as I like for all of them to be my home. But in many ways, that’s a blessing in disguise. Because I do believe that the problem we are solving today is a global one, and not a national one. However having said that, I then become very sympathetic with things that are very much Spanish or Latin-based just because I’m from the Philippines. And often times people say, “My goodness you are not so Chinese – you know, the way you express yourself it has that La Bamba spirit.” And of course when they find out I’m from the Philippines, they go “I got it. Ok.” And yet when I go to the Philippines sometimes they say, “Why are you so serious? Why do you think too much? Why are you such a conceptual thinker? Too much like an American.” So there’s always that tension. And it depends. Some of my Filipino friends would probably say, “He’s very Pinoy” some of my Chinese friends will say I’m very Chinese. Some of my American friends will say I’m very American. And vice-versa. I don’t know. I think I am who I am. And people will have to judge who I am. I’d like to think I’m a person of the world.

 


With Lyndon at the 2014 Cebu Business Month hosted by Cebu Chamber of Commerce. Lyndon was invited to give a talk by Cebu-based designer Debbie Palao, head of the Creative Industries Committee of Cebu.

 

DAPHNE: Can the Philippines claim you as a “Filipino” designer?

LYNDON: I would hope so. It’s very interesting. I’d  love to work in the Philippines. I’d love to have projects there. But you know there’s a saying that says you’re never loved by your own country until you’ve proven yourself elsewhere. And there’s some truth to that. It’s not just the Philippines, it’s everywhere. The towns that great thinkers are from are often times are ignored until they made something out of themselves.

 


Design RepublicCommune is located in the center of Shanghai. It is  as a design hub, a gathering space for designers and design patrons alike to admire, ponder, exchange, learn, and consume. The building was once the Police Headquarters built by the British in the 1910s. The project took somewhat of a “surgical approach” to renovation. “First, gently removing the decaying wood and plaster, then carefully restoring the still vibrant red brick work, while grafting on skin, joints, and organs onto parts that needed reconstruction. And finally with the attachment of a brand new appendage which, like a prosthetic, enables the existing building to perform new functions, the nearly abandoned building begins its life again.” Photographed by Pedro Pegenaute. Source: Neri & Hu website

 


Xi’an Westin Museum Hotel. “In an ancient capital of China, Neri&Hu Design Research Office’s design of the Westin in Xi’an emerges as a tribute to both the city’s importance as a hub of burgeoning growth in the region, as well as its long standing status as a cradle of Chinese civilization. With 3,100 years of history embedded in the layers of the city, Xi’an is not merely a formidable backdrop to the building itself but has provided the architects with design inspirations that inextricably link its past to its present and future.” Photographed by Pedro Pegenaute. Source: Neri & Hu website

 

DAPHNE: At your talk last year in Cebu, where I moderated, you talked about your involvement in preserving and working with older buildings and preserving the character of the city. I realized that that’s what we need in the Philippines. You were living in Shanghai, a city that was rapidly destroying traces of the past. Currently in Manila that’s been happening and there seems no end to it. And it seems the only conservation that people know is museum-fication. Very little in terms of the way you guys do it — stripping a building but keeping the integrity. How did you, a global architectural firm, influence the mindset of cities, governments and people.

LYNDON: I think the problem is there’s money involved, unfortunately. With everything that deals with projects in general, there’s money involved. The natural instinct to make fast money is to tear down the old and start new and to have greater FAR (floor area ratio), and to build taller buildings, to sell as many. But we know in the long term, that’s not going to do a country justice, nor a city good. Because once you erase part of the history, a lot of what keeps the spirit of that particular city will disappear and we have to think far, instead of be short-sighted about the whole process. How do you convert people? It’s going to be very hard. People need to have a certain conviction. Developers need to understand that in life, it’s not just about making more and more and more. Sure they’re going to be making more and more. But they need to understand that there is meaning in purpose in the short life they live in this world. They have to decide whether they want to give back or they want to continually take. For developers who want to continually take and take, no matter how much we convince them it’s not going to get through to their head. Because to them its all about the P&L (profit and loss), it’s all about that final number. And I’m not even going to try to convince them and say, “If you have good design, you will make more money.” Because in reality, maybe you wont. But what you get back is something that’s intangible. What you get back is something will give people joy and certain happiness that this world can never give.

 


The Waterhouse Boutique Hotel at South Bund in Shanghai, China. “We created this hotel in an abandoned warehouse. Enhancing the natural original materials was our way of emphasising the importance of preserving traces of the past in urban projects.” Photo by Pedro Pegenaute

 

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Lyndon placed a very Filipino antique furniture — a gallinera bench — in the lobby of The Waterhouse. Photo by Pedro Pegenaute

 

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Neri&Hu was also responsible for the design of the hotel’s interior, which is expressed through both a blurring and inversion of the interior and exterior, as well as between the public and private realms, creating a disorienting yet refreshing spatial experience for the hotel guest who longs for an unique five-star hospitality experience. Photo by Pedro Pegenaute. Source: Neri & Hu website

 

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Another example of the blurring and inversion of the interior and exterior, as well as between the public and private realms. Photo by Derryck Menere

 

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The Waterhouse in South Bund, Shanghai. This was once an abandoned warehouse, adaptively re-used as a five-star boutique hotel.  Photo by Pedro Pegenaute

 

DAPHNE: Is there a point where a building is too late to be saved?

ROSSANA: Of course. It’s not like we believe that every building should be saved. If that’s the case, then there’s no progress. I think it’s about balancing what you keep. And even within one building, you don’t necessarily need to keep everything. So being able to accept that life is about fragments and these fragments – some have value some don’t, some are worth saving, worth keeping, some are not. You just have to cut them away and throw them away and put new stuff in it in place of what used to be there. And that fragment of the past are ok in a city. And hopefully we build our future on our past. And that’s why we have to save some because otherwise there’s no memory of what happened in the past for our next generation to see.

LYNDON: But what’s also important, Daphne, is the fact that you just have to do good work. And you have to have a certain conviction in what you do. So you could preserve all you want. If you don’t do it with much conviction it is another form of Disneyfication. That’s what I call it. So it’s just another replica of another past. So it becomes a decorative exercise. Now, there are new buildings that are built by very good designers with good conviction. They add value to the city that we are in today. So I’m not all for progress at all (sic). In fact if there’s the right opportunity you need to build new buildings. However what we’re saying is that there’s a lot of good old buildings that could be re-used and have this new adaptive renaissance within its old structure.

 

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The Cluny House, a private residence in Singapore, shows Neri & Hu’s modern take on the Chinese courtyard house.

 

DAPHNE: You showed us a lot of your projects. Could you describe your own home?

LYNDON: Our home is constantly under renovation. We’re now on our third stage. We’re in an old house. Old lane house. We didn’t show a lot of images because we made a pact ten years ago that our house will be private. And so our children live in a house that is very much black and white with a lot of paintings and etchings by great masters. (Rossana: Furniture is everywhere.) And initially when they came with their friends, often times their friends always say “Wow the ceiling is so high” or “Wow this is a really strange looking house. And so when they were young, they were really conscious because they feel like their house is so different. Perhaps non-traditional. So they were really concerned. But my youngest son who is 12 now told me the other day in the car, “you know actually all my friends really find our house very interesting. It’s cavernous. It’s very unique so now all of a sudden there is a sense of pride. Is it crazy? A part of it is. And we are continually developing it. This last stage will probably be our last. We are renovating it right now. And it’s probably going to be the craziest addition.

ROSSANA: It’s very much like one of our projects where we took an old house, an old lane house. We sort of gutted the inside. So the interior feeling is quite modern. But you can’t see it from the outside. So it’s like a lot of our projects.

LYNDON: So from the outside it’s this three-storey lanehouse and nextdoor is one and it grows ivy all over it. So in the spring time there is no resemblance of a house. The whole project is dematerialized. It’s this green thing. Absolutely gorgeous but hard to maintain, beyond belief, because there’s a lot of bugs that crawl into the wall. And for a certain conviction there’s a lot of pain. But what we’re trying to do, is now they’ve grown older, so after this last phase we might actually show part of it to the public.

DAPHNE: And who is designing that?

ROSSANA: Whoever has time. That’s why it’s never done because we never have time. And its our last priority. Clients are more important.

LYNDON: We do have time. The little time we have in our house, we argue like mad. We agree on certain things, while other things, it’s hard for us to agree on.

DAPHNE: You work together, you’re a team, you’re collaborators. But who does what and who’s the boss?

LYNDON: Oh she’s the boss. Good question.

ROSSANA: We overlap on many things.

LYNDON: What’s needed at the moment will have to be taken care of. She writes a lot more. Although I also write. Because every project needs to have a definition in order for the core to be done properly. I tend to sketch more maybe. But she does sketch as well. So there’s a lot of – both of us come up with the basic concept. I might be spending more time on the schematic part of a project, she comes in on the design development side of the project. But obviously in the end when we come in and we do the detail, we do it together.

 


Lyndon Neri & Rossana Hu. Photo by Andrew Rowat

 

DAPHNE: Lyndon you seem to be always grateful. There is a spirituality about you that you are not embarrassed to show. What is that all about?

LYNDON: Uhm, what is clear to me is that what is given to us today… I know for a fact that what is given to both of us to day, is from God. Without a question. I was fortunate enough at a young age to be introduced by my father to have a relationship with God. So I read the Bible every day. And that to me is the most important thing in my life. Every thing we do today is not us. (Lyndon’s voice starts to break. He pauses.) Sorry, I’m just a little emotional. But there are a lot more people more talented than we are. There’s a lot more people more connected than we are. There’s a lot more people more educated than we are. But I think Rosanna and I are given a platform. And this platform is a responsibility given to us by God. I think it’s easy for us, in the height of adulation and when we’re given a certain accord to start saying maybe we work very hard, we went to the right school, or maybe we were talented, or we maybe because we made the right strategy. Seriously at the end they all came from Him. And if we don’t acknowledge Him, while these blessings are being poured to us, then we’ve really missed the point. That to me is the end. And it goes without saying I think people often forget this, and when I add that aspect of this story, sometimes people say, “Lyndon you’re always asking, you know. You’ve worked hard enough, you’ve done this.” Well that all is true but there’s also a lot of people who work just as hard. There are people who are also talented or more. People who went to the right school. But Rosanna and I have been given this platform. And we have to remember that this platform is a blessing that has been given to us. And we have to be able to give back. Because if we don’t God will use other people to do it.

 

 

Click here more information on Maison et Objet Asia.

DAPHNE & National Book Store

 

 

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The DAPHNE® & National Book Store collection

 

Last week we launched my line of stationery and organizing tools at National Book Store. We had working on this for over a year — actually almost 18 months from the moment of the idea to concept, design, manufacturing. Seeing all the products together on the shelves of NBS was a big thrill. And having my whole family there even made it more special.

 

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National Book Store Glorietta was dressed up in the DAPHNE prints.

 

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The idea of having a DAPHNE line in National Book Store came from NBS’ Xandra Ramos-Padilla. I can’t thank her enough for believing in me and my brand.

 

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I wanted this collection to be inspired by my daughters. We used their names as the jump off point.

 

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It was my first experience in product development — from the shape of the products to the prints. For 12 months, Xandra and her team worked with me on the samples. We worked with graphic designer Isabel Gatuslao to design my prints.

 

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My folks are in town. Big treat that they were there.

 

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My Pope Francis brigade came in full force — Jeanne Carpio, Hazel Cabrera and Joan Barretto

 

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Happy that my BFF’s Ingrid Go, Fiona Araneta and Mel Cuevas (not in photo) were also there.

 

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Jewelmer’s Mia San Agustin and Pen Uy with Liza Ilarde Cuenca.

 

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Cura V’s Kai Lim in full support.

 

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Ingrid with Ronald Gonzales, Alex and Simon.

 

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My friend Janine and daughter Gabby Dario who is now a courtside reporter.

 

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My lawyer and good friend Leslie.

 

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Katherine and Stanley Cheng of K&Company. (I am wearing a K&Company dress)

 

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There’s Mel with my Mom and Dad.

 

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Goofing off with my standee. (Stella wants one in her room.)

 

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The prints are inspired by the names of the girls – rose, lily and daisy. Coincidentally they are all wearing Gingersnaps dresses and Melissa shoes.

 

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Xandra and event stylist Barbie Pardo

 

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Sophia doing origami crafts with CraftMNL. We had my prints developed into origami paper just for the launch.

 

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Reina and Leslie.

 

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Childhood friend Vic Betita with SIL Patty Betita.

 

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Real Living’s Rachel Medina and Tom Castaneda and interior designer Nina Santamaria

 

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Available at the following select National Book Store branches: Abreeza Mall Davao, Alabang Town Center, Alphaland Makati Plaza, Ayala Center Cebu, Ayala Centrio Mall-CDO, Ayala Fairview Terraces, Festival Supermall, Glorietta 1, Greenbelt, Greenlanes Arcade, Katipunan, Market! Market!, NAIA North Wing, Power Plant Mall-Rockwell, Quad Alpha Centrum Building, Quezon Avenue, Robinsons Ermita, Robinsons Magnolia, San Antonio Plaza, Shangri-La Plaza, SM Aura Premier, SM Bacolod, SM Bacoor, SM BF Paranaque, SM Cebu, SM Clark, SM Fairview, SM Iloilo, SM Lanang Davao, SM Mall of Asia, SM Manila, SM Megamall, SM North Edsa, SM Sta Rosa, Superbranch Cubao, and Trinoma.

The ?#?DaphneandNBS? collection includes a tote bag, pouches, desk organizers, dry-erase board, binder, clipboard, expanding envelopes, journals and pens. More on the products at a later post.

Shop online and buy eBooks at nationalbookstore.com and earn reward points for online purchases.